Bus Projects remains committed to providing a safe, accessible and welcoming environment for all attendees.
Bus Projects is wheelchair accessible via the main carriageway ramp from Johnston Street as well as elevator access to the UG floor via the 'art deco' entrance midway down the Johnston Street facade and also via the rear entrance beside the Keith Haring mural, which has a ramp and leads to the elevator.
Gender Neutral Bathrooms
Bus Projects has all gender neutral bathrooms.
Exhibition opening events do not generally include Auslan interpretation however can be provided upon request for events. Please contact Bus Projects if there is an event you would like interpreted: firstname.lastname@example.org
Bus Projects is a predominantly standing venue, however, we will happily provide seats for anyone who requires them. Please contact Bus Projects to arrange this or ask upon arrival.
Accessible Parking/Dropoff Areas
If you are coming by car, there is accessible drop-off and pick up space at the side of building beside the Keith Haring mural. There are also accessible parking located in the carpark at the rear of our venue.
Bus Projects at Collingwood Yards is close to Stop 19 at the corner of Smith Street/Johnston Street on the 86 tram line. Only some Trams on this route are serviced by a mix of low floor and high floor trams. Read more at the PTV site here. The number 200 and 207 Bus' also stop directly over the road from Collingwood Yards.
Bus Projects is not climate controlled.
Please contact Bus Projects if you would like to arrange a designated quiet area at our opening events.
Lighting is provided by fluorescent batons. However specific shows will feature low lighting.
Guide Dogs/Service Dogs
Guide dogs and service dogs are welcome at Bus Projects.
If you have any questions about accessibility or feel uncomfortable at any point during an event such as this, please approach one of our team and we will do our utmost to resolve the issue.
Tashabok: Collaborative drawing session facilitated by Azza Zein
Azza Zein invites migrant artists and writers to converse around social capital in Melbourne while drawing.
Arini Byng, Sean Dockray, Tamsen Hopkinson, Steven Rhall, Jacqui Shelton, Fayen d'Evie, Public OfficeMeans, of Production
Means, of Production is an experiment in building open-source software in an open dialog with a group of artists, in order to try and expand the idea of how artworks can live and evolve in the peer-to-peer space. It is a collaborative project between Bus Projects, Public Officeand six Melbourne-based artists. Funded as a result of Covid-19, initially the ideas sprung from an obvious lack of tools for making art works solely for an ephemeral, digital space. That’s what we hope to shift through this process.
Sandra Bridie and Melody EllisQ & A Walking in the configuration of infinity
Melody and Sandra discuss their project Walking in the configuration of infinity, which combined a series of Walkshops presented by members of nonfictionLab, a walking lecture and performance by Alice Cummins,and the inaugural Reading Room presentation at Bus.
Please join us at Bus Projects this Saturday 10th April, 3.30-5.30pm, for the ‘True Colours’ catalogue launch. There will be performances by En.V, Fimo, and a secret guest.
Alongside a community feast, ‘For The Love of Leftovers’, the epilogue to F.O.C.U.S. In the interest of keeping a waste-free practice, Alisa Tanaka-King will be cooking up the leftover ingredients from F.O.C.U.S and will be hosting an open event for the local community, promoting sustainability and communal eating. All are welcome!
‘Three Retracings’ is a sound publication that explores a process of returning, retracing and re-listening in urban space. Recorded periodically across three and a half years in Narrm Melbourne, Kaifeng and Suzhou; nine compositions form a set of sonic relations between neighbourhoods undergoing urban transformation in Australia and China. Placing three accumulative listenings in conversation across these contexts, the publication interrogates the contentious role of the field recordist as an itinerant documenter, archive-maker, visitor and tourist.
OUT OF BOUNDS is a series of performances and conversations with Australian artists that navigates the intricacies of their art practice, the way they have adapted to the world in isolation and their reflections on the emerging art world right now.
Concentric Curriculum is an artist-led parallel-school program embracing non-institutional, self-organised approaches to education and made in collaboration with local communities. This program enables artists and arts professionals to become creative collaborators and co-producers with diverse communities, resulting in long-term collaborations and sustained knowledge sharing.
Born from interviews with close friends about vulnerability, ‘Ourselves’ explores the risk perceived in baring oneself and the value of support in constructing autonomous and unfiltered spaces. Presented on Bus TB on Wednesday 2 September, 7pm
Mira Loew, and Jane Frances Dunlop, Bus TVfull moon to new moon (hands, fastness, surprise) & other exchanges
For Bus TV, Loew and Dunlop share a new work that is the consequence of a set of exchanges occurring over spring 2020. A series of videos form an intimate conversation about distance, isolation, depression and the consequences of stopping by choice and by necessity.
‘Casual Stain’ is a radio play based on Aaron Billings’ own experience working at a multi-national retail & homewares store as the Pandemic hit. Released Fortnightly on Thursday evening at 7pm. The next episode will air on Thursday 23 July.
Eleanor Duffin (born Wexford, Ireland, currently lives and works in Bristol, UK) is a visual artist whose works are predominantly sculptural in nature. She employs a process of speculative questioning that draws influence from varied disparate ideas and anecdotes within anthropology, literature, physics and art history. She is interested in things that have a sense of self conscious autonomy and the potential to be generative agents.
Gertrude Talks is weekly discussion series produced in partnership with Gertrude Contemporary. Each week a new theme will be unpacked by host Georgia Banks with past and present Gertrude studio artists.
Caring for the Ecology is a show on Bus Radio that amplifies important conversation about the collaborative, collectivist and organisational structures that impact the way we work as arts workers and cultural producers.
Hosted by Bus Projects and Liquid ArchitectureCollective-Kolektif: an Indonesia-Australia dialogue on artist collectives
‘Collective-Kolektif’ hosts Indonesian collectives including KUNCI Cultural Studies Center, Ace House, OMNI space, Ruang MES 56, and ruangrupa; alongside Melbourne-based groups Her Africa Is Real, Hyphenated Projects, eleven-collective, and Sound School, with more to be announced.
Archie Barry will present a thread of curated readings from their diary entries written between 1999 and 2019, laced together with excerpts of affect theory, linguistics and existential philosophy. Polyvocal and correlative, the presentation searches for ramified language that could function (or dysfunction) to touch the perpetual flux of personhood.
Please join us on Saturday 30 November from 2 - 4pm for ‘The Design Plot’. This will be the final event at Bus Projects’ current Rokeby st site. ‘The Design Plot’ is helping us say goodbye to our site that we have occupied since 2013 before we move into our new site at CAP in 2020.